Biography of cimabue
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Cimabue
Cimabue, (c.1240 - c.1302), was a painter from Florence in Italy who worked in the Late Medieval period. His real name was Cenni di Peppi. He painted large icons in the Byzantine style and was the first great painter in the city of Florence. The only works of art that are known to be definitely by Cimabue are the mosaic of Christ in Majesty in Pisa Cathedral and two very large ruined frescos in the Church of St Francis in Assisi.
The most famous painting that is believed to be by Cimabue is the "Madonna of Santa Trinita" which is an altarpiece that was done for the Church of the Holy Trinity. It is now in the Uffizi Gallery in Florence. He is also believed to have painted two large crucifixes which hung in the Church of St Domenic in Arezzo and the Church of the Holy Cross (Santa Croce, Florence). The crucifix of Santa Croce was ruined in a flood and is now in the church's museum.
The biographer Giorgio Vasari wrote about Cimabue's life, 250 years after his death. He wrote that one day Cimabue was walking in the country when he saw a little shepherd boy scratching a picture of a sheep onto a rock. The drawing was so good that Cimabue went to the boy's father and begged that he might take the boy as his apprentice and teach him to paint. The boy was Giott
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Cenni di Petro Cimabue
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Cimabue
Noted as the last Italian painter of the Byzantine style, Cenni di Pepo, called Cimabue, is also credited with progressing art towards the naturalism seen in early Renaissance painting. The great biographer of Italian artists, Giorgio Vasari (1511 – 1574) endears Cimabue as the foundation of Italian painting and is literally chapter one of his work, The Lives of Artists (first published in 1550).
Cimabue’s inkling towards naturalism started early on, as Vasari notes of his youth, “…instead of paying attention to his literary studies, Cimabue, as if inspired by his nature, spent the whole day drawing men, horses, houses and various other fantasies in his books and papers. Still, Vasari took much creative license with Cimabue’s life and much of it was proven untrue by modern critics, but the artist survives in bringing a more human side to the last days of Byzantine art.
Cimabue is famously mentioned in the poet Dante’s The Divine Comedy, in Purgatorio, proclaiming, “Cimabue thought himself the master of painters; Giotto took from him the glory and relegated him to oblivion.” The poet is referring to Cimabue’s legendary position in Italian painting being overshadowed by his very own prodigy, Giotto di Bondone (1267 – 1337). Vasari’s account tells of Cimabue discoverin