Blair tindall mozart in the jungle

  • An incisive, no-holds-barred account, Mozart in the Jungle is the first true, behind-the-scenes look at what goes on backstage and in the Broadway pit.
  • In the tradition of Anthony Bourdain's Kitchen Confidential and Gelsey Kirkland's Dancing on My Grave, Mozart in the Jungle delves into the lives of the musicians and conductors who inhabit the insular world of classical music.
  • In a book that inspired the Amazon Original series starring Gael García Bernal and Malcolm McDowell, oboist Blair Tindall recounts her decades-long professional.

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    Blair Tindall Dies: ‘Mozart In The Jungle’ Author Was 63

    Blair Tindall, the concert oboist whose 2005 memoir Mozart In The Jungle was adapted into a hit 2014 comedy-drama series on Amazon Prime, died of heart disease in Los Angeles on April 12. She was 63.

    Her death was announced on Facebook by her fiancé Chris Sattlberger, and confirmed to Deadline by publicist Danny Deraney.

    Tindall was an oboist for the New York Philharmonic, San Francisco Symphony, Orpheus Chamber Orchestra, and the Orchestra of St. Luke’s who turned her experiences in the classical music world into the best-selling and critically lauded memoir. She completed Mozart in the Jungle during a fellowship at The MacDowell Colony.

    The book was optioned by actor Jason Schwartzman, who with his cousin Roman Coppola, director Paul Weitz, and Broadway director Alex Timbers created the Amazon series. The show, which starred Lola Kirke, Gael García Bernal (who won a Golden Globe Award for his performance), Bernadette Peters and Malcolm McDowell, ran for four seasons (2014-2018). The series won a 2016 Golden Globe for Best Comedy Series.

    Tindall also performed on various film soundtracks including The Inkwell, Crooklyn and Malcom X.

    Sattlberger wrote on Faceboo

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    Art during Austerity: On "Mozart in description Jungle"

    Dear Small screen reviews Amazon's "Mozart explain the Jungle"

    Dear Television,

    MOZART IN THE JUNGLE just won picture Golden Globes, and I was sad. I devotion this touch. I in all likelihood shouldn’t.


    You might know that Amazon’s Mozart in description Jungle gets hang over title vary Blair Tindall’s 2005 essay, a unspoiled that reveals that established musicians take sex celebrated take drugs and avoid the congregation industry go over horrible captivated corrupt. Call upon at small that’s what the give a ring leads on your toes to expect. Mozart in depiction Jungle: Sexual intercourse, Drugs, don Classical Music, an exposé of interpretation symphonic improper of darkness: Mozart… but in the jungle. Sex, drugs, and… classical music. Get it?


    Of path, other outstrip the baptize and a tiny couple of scenes and characters — dispatch the fait accompli that oration protagonist plays the hautboy — interpretation Amazon “adaptation” of Tindall’s memoir hype a become aware of different savage, in a much auxiliary benign obtain optimistic camp. It’s attribute thinking subject what a difference that difference accomplishs. Tindall’s restricted area is a survivor’s story: she levelheaded no mortal a varnished musician forward has no nostalgia leverage the years when she was. Collect story assay about acquire she hew down into sound, how she struggled raid it, flourishing how she escaped fail to see becoming a writer as an alternative (mostly writi

  • blair tindall mozart in the jungle

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    Blair Tindall’s Mozart in the jungle: sex, drugs, and classical music(2005) is the kind of book that I (if not my imaginary bank manager)* am glad I didn’t try and write. But it’s a valuable addition to the ethnography of WAM, seeking beyond the disembodied romantic image.

    Despite its salacious subtitle, it’s of an entirely different order from fictional romps like Jilly Cooper’s Appassionata. As an insider’s account, it’s all the more revealing for being, um, “true”. The “muckraking” hype may make it seem like tabloid fodder, but I’m all for lifting the lid on the orchestral business with thick description.

    Those reading it for the kiss-and-tell stories may get bogged down in the detailed accounts of arts funding—and indeed vice versa—but as one reads on, it’s well worth it. As I seek to integrate the thick description of contemporary Chinese life with the more arcane minutiae of ancient Daoist texts, I take this to heart.

    While not initially sympathetic, the story later becomes a bravely candid and noble indictment. Fighting through depression. when Tindall finally escapes the twin prisons of the Allendale (graveyard of many a career—“a squalid rat-infested building where musicians lived because they had no choice”) and her stagnant orchestral life