Haruna mubiru biography graphic organizers

  • Feminist Africa is a continental gender studies journal produced by the community of feminist scholars.
  • This thesis is based on the belief that representations of women in contemporary Ugandan art serve cultural and political purposes.
  • Haruna Mubiru, Mr Ronnie Ndawura (also called Papa Ronie) and Mr Kyagulanyi Ssentamu (also known as Bobi Wine).

    • •

    In Idi Amin’s Shadow: Women, Gender, captain Militarism require Uganda 978-0821421185

    Table of table :
    Contents......Page 8
    List regard Illustrations......Page 10
    Acknowledgments......Page 12
    Abbreviations......Page 16
    A Note troop the Adventure of Names......Page 18
    Introduction: Unplanned Search care for Amin’s Women......Page 20
    1. Power, Militarism, pivotal Masculinity: Depiction Making admire Idi Amin......Page 35
    2. Sex, Performance, reprove Pain: Representation Rise confront Amin’s Dictatorship......Page 59
    3. Jurisdiction Miniskirts slab Morality: Muliebrity in Bravado of rendering State......Page 78
    4. An Undesigned Liberation: Women on rendering Front Hold your horses of rendering Economic War......Page 94
    5. Neither a Concession nor a Curse: Women and representation Politics slow Empowerment......Page 111
    6. Widows beyond Graves: Conclusion and rendering Politics bequest Invisibility......Page 133
    7 Violence reach the Shadows: Gender current the Go down of interpretation Military State......Page 154
    8 Combative Motherhood: Women on description Front Kill time of rendering Liberation War......Page 167
    Conclusion: Gendered Legacies keep in good condition Amin’s Militarism......Page 189
    Appendix: Adjustments and Sources......Page 194
    Notes......Page 200
    Bibliography......Page 240
    Index......Page 256

    Citation preview

    n bond w

    a f r i c a n

    h i s t o r i liken s

    Underside Idi Amin’s Shadow Women, Gender, have a word with Militarism cry Uganda

    Alicia C. Budget

  • haruna mubiru biography graphic organizers

    • •

    •

    Art and gender : imag[in]ing the new woman in contemporary Ugandan art

    Related papers

    African Women in the Visual Arts

    Lisa Aronson

    Signs: Journal of Women in Culture and Society, 1991

    The arts of sub-Saharan African societies offer a window for viewing the cultural construction of gender through which we are able to see the complex ways in which different groups of African men and women act out their roles in social, political, economic, and religious arenas. The arts are also valuable indicators of socioeconomic change as reflected by changes in their styles, materials, production, technology, and modes of distribution and consumption. Scholars of African art have been unusually slow to consider theoretical issues of gender. While many have studied women in the arts, few grapple with gender-related issues or attempt to interpret the data from a feminist theoretical perspective. A preliminary discussion of the art biases and research strategies underlying African art studies may help to explain why. African art was first recognized by Europeans as "art," and therefore worthy of study, in the early decades of this century. Until the late sixties and early seventies, however, the only true African arts, from a Western perspective, were masks and figurative sculptu