Margaret vardell sandresky biography for kids

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Margaret Vardell Sandresky Edit Profile

composer

Margaret Vardell Sandresky, American composer. Recipient North Carolina Symphony award, 1952, Distinguished Alumna award, Salem Academy and College, 1993, Sam Ragan award, St. Andrews College, 2006; Fulbright scholar, Germany, 1955-1956.

Background

Sandresky, Margaret Vardell was born on April 28, 1921 in Macon, Georgia, United States. Daughter of Charles Gildersleeve Vardell and Eleanor Matilda Ferrill.

Education

Bachelor of Music, Salem College, Winston-Salem, North Carolina, 1942. Master of Music, University Rochester, New York, 1944. Certified, Hochschule für Musik, Frankfurt, Germany, 1956.

Career

Instructor music theory Oberlin College Conservatory, Ohio, 1944—1946, University Texas, Austin, 1948. Head organ department Salem College, Winston-Salem, 1948—1956, professor music, 1967—1986. Founder organ department North Carolina School Arts, 1965—1967.

Retired, 1986

Co-founder North Carolina Composers Symposium, Winston-Salem, 1970.

Achievements

• Margaret Vardell Sandresky has been listed as a noteworthy composer by Marquis Who's Who.

Membership

Organist Centenary Methodist Church, Winston-Salem, 1961—1969. Board directors Winst

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Celebrating Salem Academy And College At 250

This weekend, the Triad celebrates three milestones during An Evening for Salem: the 250th anniversary of Salem Academy and College, the Winston-Salem Symphony turning 75, and beloved Salem alumna and retired music professor Margaret Vardell Sandresky celebrating her 100th birthday.

Sandresky, who graduated from the academy in 1938 and the college four years later, calls her time at Salem invaluable, teaching her how to organize, and relate to others while providing plenty of room for personal growth and creativity. That formative experience led to the title of her new piece for woodwinds and strings: Gaudeamus: Celebrating 250 Years of the Enabling of Women at Salem Academy and College.

Sandresky says the City of Arts owes Salem a great debt dating back centuries bringing in artists and performers from around the world.

“And we know that because one of the students at the academy wrote a letter in 1828 and it sort of begins, ‘Dear cousin, we had a very pleasant evening here at the academy when Haydn's oratorio The Creation was performed, and a group of very stylish young ladies and gentlemen sang in the chorus [laughs],'” she says.

Sandresky's new work, Gaudeamus — Latin for rejoice — is a co-commiss