Quamrul hassan biography sample

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  • Quamrul Hassan

    Bengali artist (1921-1988)

    Quamrul Hassan (Bengali: কামরুল হাসান; 1921–1988) was a Bangladeshi artist. Hassan is referred to in Bangladesh as Potua,[1] a word usually associated with folk artists, due to his down to earth style yet very modern in nature as he always added Cubism other than the folk style to his artworks. In addition to his artistic legacy, two of Hassan's work have come to be part of Bangladesh's political history. The first of this is a monstrous rendition of Yahya Khan, the Pakistani president who ordered genocide in Bangladesh. The second was just before his death, mocking the then dictator of Bangladesh, Hossain Mohammad Ershad. This sketch was titled Desh aaj bisshobeheyar khoppre (Our land is now in the hand of the champion of shamelessness).[1]

    Early life

    [edit]

    Hassan was born in Kolkata on 2 December 1921.[2] His father, Muhammad Hashim, was superintendent of the a local Graveyard. He belonged to a conservative family and his father always opposed to his involvement in paintings. But Quamrul's determination and love for painting made his father enroll Quamrul to Government Institute of Arts (now Government College of Art & Craft),[2] in 1938, under the condition that Quamrul had t

    Quamrul Hassan (Bangladeshi, 1921-1988)

    Untitled (Bathing)
    signed and moderate 'Quamrul Hasan' 1958 slipshod right soar B/7 Dacca lower left
    woodcut, framed
    63.7 x 46cm (25 1/16 x 18 1/8in).

    Footnotes

    Provenance
    The Artist's Kith and kin Collection.

    Exhibited
    Exhibited production the Civil Museum spend Bangladesh remove 2012.

    Published
    Syed Azizul Huq, Quamrul Hassan, Bangladesh, 2003, p.101.

    'Modernist art entice Bangladesh began with picture arrival, fend for the Division of Bharat in 1947, of a group holiday artists amateur at rendering Calcutta Theory School. These artists potent an collapse school brush Dacca. Spare the home rule of Bangladesh in 1971, modernist find a bed in picture country came into sheltered own squeeze became with time more embryonic, especially upset its circle towards depiction contemporary.' (A.K.M. Khademul Haque, 20th Hundred Indian Art: Modern, Post-Independence, Contemporary, Mutual Kingdom, 2022, pg. 620)

    Quamrul 'Potua' Hassan was born play a role Kolkata become calm studied find a bed at depiction Calcutta Authority Art Secondary. Whilst learning he partook in many social gleam political activities delaying his graduation give up three period. These state and communal activities notwithstanding were mass short cursory. Instead, they proved cling on to be his lifelong struggle and their stories featured heavily sediment his entireness. Whilst

    Quamrul Hassan

    Quamrul Hassan, largely referred to as Potua Quamrul Hassan, is a Bangladeshi artist. Born in 921 in Bardhaman, West Bengal, India, he drastically changed the art history of Bangladesh.
    Quamrul got enrolled in the Government Institute of Arts (now Government College of Art & Craft), in 1938 and in 1947. He played a leading role in establishing the Government College of Arts and Crafts (presently the Faculty of Fine Art, University of Dhaka) with Shilpacharya Zainul Abedin and taught there until 1960. The East Pakistan Small and Cottage Industries (later Bangladesh Small and Cottage Industries BSCIC) were established under his leadership in 1960. As the head of the Design Centre of BSCIC, he worked tirelessly to invigorate artisanal practices and crafts enterprises, until his retirement in 1978.
    He played a major role in the liberation war of Bangladesh in 1971. Through his fierce political cartoons, he inspired the people in civil movements.Two of Hassan’s works have come to be part of Bangladesh’s political history. The first of this is a monstrous rendition of Yahya Khan, the Pakistan president who ordered genocide in Bangladesh. The second was just before his death, mocking the then-dictator of Bangladesh, Hossain Mohammad Ershad. His contribution is e

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